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Contents Christine REYNIER and Jean‑Michel GANTEAU Introduction II Gulshan TANF:JA Irnpersonal
disinterestedness: Leavis and Eliot I? Bénédicte Cos TE `The Perfection of
Nobody's Stvle': Impersonality and Emo tion in Pater's Prosper Mérimée 29 Pierre
Vrroux Imper‑sonality
and Emotion in ,laines Joyce's Aesthetics and Fiction 43 Michèle HITA Emotion vs.
Irnpersonality. Action/Reaction in D. H. Lawrence's Women in Love 53 Françoise BORT Emotion and the
Immemorial Jennifer Coox Radical
Inrpersonality: From Aesthetics to Politics in the Work of Virginia Woolf Jean RADFORD Irnpersonality and
the Damned Egotistical Self: Dorothy Richardson's Pilgrimage 8 John
ATTRIDGE "`I Don't Read Novels . . . I
Know What's in 'em"': Imperson ality, Impressionism and Responsibility
in Parade's End 9 Fabio
VERICAT Less love and More
Feeling: Radical Personality in T. S. Eliot's 'Impersonal Theory of Art' lo Alain BLAYAC Against Emotion in
Literature: The Case of Evelyn Waugh II |
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Dominique DEL
MAIRE Luc
VERRIER The Motions of
emotions in the Poetry and Prose of George inevitable
Yet Impossible Impersonality: Martin Amis's Mackay Brown 129 The
Information 273 Sara R. GREAVES Pascale TOLLANCE Romanticism as a
Mode within which to Work: Imperson‑ Freezing
Emotion: The Impersonality of 'Photographic Writ‑ and
Emotion in Basil Bunting's Briggflatts and Peter ing'
in Rachel Seiffert's The Dark Room 287 Riley's Distant Points 143 Christine REYNIER Isabelle KELLER Jeanette
Winterson's Cogito ‑ Amo Ergo Sum ‑ or Impersonality Finding
One's Way through `the List of Viable Selves' or‑ 299 sonality and Emotion Redefined 299 Lawrence Durrell's
Lesson in Detachment from 'the Most Fragile of lllusions' 155 Notes on contributors 309 Isabelle HESLING and Anne‑Marie
CARASSOU Cerebral
Analysis of Rational and Emotional Traces in Literature 167 Graham RANGER Elaborated upon
with Due Art: Reading to Type in Muriel Spark's The
Drivers Seat 183 Georges LETISSIER Impersonality and
Emotion in Suburbia: From Greene's Catholic Sublime to Swift's Negative
Sublime 195 Jakob WINNBERG Eliot in Reverse:
Postmodern Sentimentality in Graham Swift's Ever
After 205 Eileen WILLIAMS‑WANQUET Emotion as Ethical
Event and Revision of Romance as Catharsis: the Fiction of Anita
Brookner 215 Sophie CARTIER Peter Ackroyd's
English Tradition: from Plethoric Imper sonality to the Creation of Emotion 229 Jean‑Michel GANTEAU Peter Ackroyd,
Kitsch and the Logic of Impersonal Imitation 239 Claire PÉGON‑DAVISON Ceci n'est pas
une émotion: Sentimental and Sympathetic Response to the
Novels of Kazuo Ishiguro 251 Leigh JAMESON The Brechtian
Emotions of Caryl Churchill: Examining Mad Forest 261 |